Track of the Day
Track: Run For Free
Band: Absent Sound
From the album: Hola Sol
Genre/s: Experimental Rock/ Psychedelia/ Post Rock/ Neo-Krautrock/ Dub
My track of the day is āRun For Freeā by Canadian band, Absent Sound, who experiment with various musical forms and genres. This track is taken from the album, āHola Solā. At the bottom of the review are links to this track/album, for Bandcamp, ITunes and Spotify.
āRun For Freeā: Starting with atmospheric guitar arpeggios, infused with a Post-Rock feel, reminiscent of Scottish band, Mogwai and English solo-artist, Gravenhurst, Absent Sound immediately set the tone of this tune. The bass and drums glide in. Thereās an experimental Ambient meets Neo-Prog-Rock Bass sound, riffing on the bass sounds created by Brian Eno in his āMusic For Filmsā era or perhaps has hints of the haunting bass lines of Electronica/Indie crossover band, Reigns. The drums have a unearthly ambience to them, weaving into the unusual time-signature territory explored by Slint and Nub. The drums are sombre, fleshing out the mood with a spacious, yet foreboding timbre. Hauntingly ethereal vocals drift in over the music, with perhaps a hint of introspection, harking back to the Seattle Grunge movement, evoking the spirit of Alice in Chains singer, Layne Staley in his more reflective moments. The sustaining nature of the vocals, like the instrumentation, serve to further expand a brooding soundscape. Vocal harmonies that pulse in and out add to the sophistication of the tune. āRun For Freeā follows the expectations of any well-crafted song; that is, within what I call the āmagic minuteā (the important first minute of the tune) where most of the ideas present in the track are imparted to the listener. If not done properly, a listeners attention is lost. However, what Absent Sound are proficient at is continuing those ideas in a very naturalistic way, so the listener isnāt necessarily focusing on the reality that āRun For Freeā is just over 8 minutes long. A breakdown and guitar solo comes in around the halfway point. A plucked, sinister-sounding lead-line subverts the expectation of a more traditional guitar solo. The guitars ease into warmer arpeggios, sounding not unlike Thrash Metal band Metallicaās flurries into a more acoustic-based restrained sound. As drums become more prominent and the vocals become more Sprechstimme (Spoken word to imply singing), the listener may think of Scottish Alternative Rock band, Arab Strap and their use of in the fore drums/beats and spoken word vocals. In this part of āRun For Freeā, the āRun for your lifeā lyrical motif not only adds to the already established mood, but conveys a much more creepier edge to the song. The near-disembodied backing vocal phrase ārunā is simple, yet for me is conveyed in such an effective manner, that it feels as memorable as a catchy pop-hook. The guitar snarl and wubber as the vocals intensify, leading to an explosively jangly-distortion over an already powerful and well-crafted tune; a technique utilised by one time guitarist of Alternative Rock band, Red House Painters, Gorden Mack. The drums and bass pound, the guitars crack and growl. Itās a fitting end to this alluringly hypnotic tune.
š§Listen to āRun For Freeā by Absent Sound on:
š¼Spotify: https://open.spotify.com/track/7d5UEUExAtnxOwcSwozmpH?si=cd2233f729204858
š¼ITunes: https://music.apple.com/gb/album/run-for-free/1478566399?i=1478566405
š¼Bandcamp: https://absentsound.bandcamp.com/track/run-for-free
š¼YouTube: https://youtu.be/jpgc1aX1B28
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Track of the Day